Tuesday, 30 November 2010

WEEK EIGHT: PETER; WHAT NED HATES.

What  does  Ned  hate?  He  hates  being  told  what  to  do.  A feisty  fifteen,  he  does  everything  for  himself  with  stubborn  pride.  When  his mother fusses over  him,  he  rebels  angrily,  shouting  at  the top  of  his  voice  and  thundering  up  the  stairs,  the  door  booming  behind him.

A poster  announces:  NED'S   KINGDOM.  Forbidden  territory  for  all  except  his  cat,  Zac.  The  kingdom  is  a  dream  factory.  Walls  are  plastered  with  pictures  of  the  Arctic.  Fantastic  landscapes, each  a  window  onto  a  fascinating  world  of  icebergs,  glaciers and  abstract  shapes  that  a  pitiless  wind  creates  with  the  ice and  snow.  There  are  photos  too  of walrus  and  seal,  polar  bear  and  fox  and  the  infinite  array  of  wild birds  that  inhabit  this savage  but  free  world.

Ned's  other  hate  can  be  summed  up  in  one  word  'oil'.   Oil  gushing  out  of  a  busted  rig like some  evil  geni  out  of  a  bottle.  Oil  spreading  itself  like  a  sinister  plague.   Oil banishing  the  light  and  life  of  the  sea  grasping at  the  fish , smearing  the birds,  leaving  them  to  languish  and  die.

Ned hates  the  engineers  and  miners,  the  servants  of  the  genii,   who  invade  pristine  places armed  with  bores  and  drillls,  bulldozers  and  pipes  ready  to  release  this  dreadful  scourge.   As  he  sits  on  the  edge  of  the  iceberg  with  Nochoska   watching  the  ship  on  the horizon  coming  steadily closer  to  his  kingdom,  the  kingdom  of  Ned,  he  vows  to  fight  them.   

2 comments:

  1. Yeah! I love this already Peter. This is turning into a novel that everyone who cares about our environment will want to read. Can't wait for the next instalment.

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  2. I think this is clever - you move from the bedroom world into the fantasy world with no transition, as testament to the power of Ned's imagination - in fact you make us believe that the imagination is so transformative as to mould reality itself. Bedroom world and Arctic world are overlaid, mutually contradictory yet completely convincing - no explanations such as 'he moved his thoughts into the world of his dreams', which would be cheesy, are necessary. The reader does the work and is happy to do it. What Ned hates are summed up in two entities - his mother's interference and oil - and here you haven't actually inflicted either on him, yet, so I look forward to seeing what happens when you do. A fine piece of writing.

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