A sense of place - Hilary
Set in the leafy backwaters of the Hull suburbs, Newland Park is peopled by individuals who have an innate belief that if life had dealt them a different hand, they would be living and meeting in the streets of a far more hip and happening place such as Islington or Notting Hill.
Many of the inhabitants are locals who have managed to climb the very greasy poles within the local council until they finally haul themselves to the top to become a ‘head of project team’ or ‘service lead’ for this or that.
Their shrill, east Humberside tones have acquired an air of officiousness, the pronunciation having a studied ‘poshness’ designed to conceal the distinctive Hull burr. This trick was learned from the Masters who preceded them in their council posts until, like coconuts, those Masters were knocked off their poles giving the prizes to their apprentices. In turn the disciples grasped the baton and proceeded to remove themselves from the lesser areas of the city such as Anlaby Rd or Skulcotes Lane to the resplendent Edwardian, Mock Tudor or edgy, architect designed dwellings that settle behind high hedges in the wide and tree -lined avenues of Newland Park.
These ‘locals-made-good’ sit somewhat uneasily with the other inhabitants of this pinnacle of Hull living; those non Yorkshire 'outsiders' who have by dint of circumstance been offered, and accepted, posts as professors or lecturers at the University of Hull which sits at the entrance to the Park or it’s poorer sister, Humberside University which has to make do with a lesser site on the Beverley Road. The University of Hull has additional cachet having had poet, Philip Larkin as it’s librarian. His modern residence sits within the confines of Newland Park
They just about rub along together, these two oddly paired groups, mostly ignoring the somewhat superior air which the locals imagine the outsiders possess, and which the outsiders smugly try to hide, only occasionally letting slip, some telling anecdote which only they, as ‘outsiders’ could possibly have experienced.The locals are proud to have reached this nadir of Hull society and are themselves fairly condescending in a lord or lady bountiful way to the rest of the local population. They do not ignore them they merely speak as if they hold higher office.
Into this prestigious, quietly confident backwater, arrives Ellen Jameson and her family of three daughters.
She fits into neither the first or second category, being what is known as a ‘self made woman’. In other words, her degree and a large divorce settlement, has given her the opportunity to start her own business consultancy. The business has thrived over the ten years since she started it, and she has grasped the opportunity to open two further branches in Manchester and Newcastle .
U - Focus became one of the largest agencies in the North East, eventually floated on the stock market, making Ellen a very eligible single woman, with several hundreds of thousands sitting idly in her personal account.
Being a Hull girl at heart, she refused to move from her home city, capitulating, eventually, to friends and a lover’s advice, by moving out from her three bedroom council house in the centre of Bransholme, the largest social housing estate in Europe, to a double fronted property of Edwardian splendour, just next door to the modern property which had belonged, until his death to Philip Larkin.
A determined woman, she does not hold back with her opinions or her praise. A breath of even fresher air was about to descend, with the scent of Dior, into the Park.
Having read this, I think I may lose any readership in Hull should this novel ever see the light of day! What do you do when you want to give a sense of place and it's people to a novel and it's significance is vital?
ReplyDeleteWell, you seem to know these people very well. (Much better than I do. When I was at Hull University I knew next to nothing of the local people, so this is fascinating.) Your concern is how to get away with writing as fully and frankly as you like without losing a readership in Hull. If that is the problem, then I wouldn’t be too concerned. People in Hull will buy it the more scabrous and satirical it is. People like to be presented with strong opinions, even about themselves, and in any case it is likely they will think that the worst offenders represent others, and have a good laugh.
ReplyDeleteIf, however, you are more concerned about offending friends and relatives who you are portraying in one way or another, this is a more serious problem, and you might do better to disguise Hull, giving it a new name and location, and disguise the characters, giving them new identities, new characteristics – transforming them completely, in fact – because it’s unwise ever to risk a relationship for the sake of a piece of fiction (a lesson that many novelists have learned too late). Philip Larkin doesn’t seem to come into the plot much, since by the time the action starts he’s dead (or is he?) so he could be replaced with another figure, perhaps not even a poet – an artist, perhaps, who has turned the town upside down (which Larkin never did). That way you’ll have all the plot-interest of a famous son but none of the Hull associations. Try reading a biography of Larkin and mirroring some of his life events if you want some hidden satirical meaning.
Really, I don’t see this as a problem. It seems to me that you have the insider knowledge to make this a really good read.
And apologies for not seeing this earlier...